Cartography

map.jpgOne of my cowork­ers is a poet. Last week we assigned each other an assign­ment: to write a poem to be work­shopped by the assigner on Mon­day. My assign­ment was to “write a mus­cu­lar poem about mas­culin­ity.“


Car­tog­ra­phy

A man is an old map
charted in sharp lines and lies;
where north is up and west is left
where puff-​cheeked faces blow and fume
where grim Atlas crouches at the bot­tom;
bear­ing up his leg­end — the half-​truth map
where moun­tains have no height
where water is not wet
and past its paper edges
there be monsters.


What fol­lows is the text of the email I sent to her about what I was aim­ing for with this poem.

what i’m going for is to show that mas­culin­ity is not a com­plete defin­ing con­cept for a man. like, a man is a three dimen­sional thing, but mas­culin­ity is only two dimen­sional. thus, the earth is three dimen­sional, but a map is only a two dimen­sional rep­re­sen­ta­tion of it and there­fore incom­plete. i also wanted a feel­ing of impla­ca­bil­ity and tur­moil and maybe even a dash of deter­mi­na­tion. i was also think­ing about how dan­ger­ous it can be to be male and live try­ing to be ‘mas­cu­line’ only. to not give the other dimen­sion of being a chance to assert itself. i guess this could be called the ‘fem­i­nine’ side, but i think fem­i­nin­ity holds the same dan­ger. mas­cu­line and fem­i­nine are just roles that peo­ple play, but we’re all just peo­ple in my mind.

i don’t know if this is ‘mus­cu­lar’ or not, since i’ve only heard that used in your mouth, but i tried for my own feel­ing of solidity.

Feel more than free to work­shop or com­ment on this as much as pos­si­ble. And give me your own assign­ments if you want. I feel that, at this stage, I write bet­ter when I’ve been assigned something.

v.2

Car­tog­ra­phy

A Man is like an old map charted
in sharp lines; a plot­ted thing —
where north is up and west is left
where puff-​cheek faces blow and fume
where Atlas bears his leg­end — a land
where moun­tains have no height
where water is not wet
and past its paper edges
there be monsters.

Comments on this post

  1. this might be my favorite thing that you’ve writ­ten, or at least it’s up there. i like the premise a whole lot and i think you com­mu­ni­cate the premise well. i am won­der­ing about the way you phrased the very last line. it feels styl­is­ti­cally dif­fer­ent, like it’s in another lan­guage than the rest. i almost read it in a pirate’s voice (like “thar be mon­sters!”), which turns a pow­er­ful con­clu­sion into a bit of a joke… but that’s prob­a­bly just my problem.

    have you heard Elvis Costello’s “Poor Frac­tured Atlas?” it’s a beau­ti­ful song. you can read the lyrics here, but beware this site may have pop­ups and crap (no appar­ent prob­lem in fire­fox though): http://​elvis​-costello​.lyrics​-songs​.com/​l​y​r​i​c​s​/​8​7​07/

  2. you are right B?rd to think that the last line is styl­is­ti­cally dif­fer­ent. it is a paraphrase/​reference to the big uncharted spaces of old maps where the only thing writ­ten is ‘Here Be Mon­sters’ and it is sup­posed to tie in with the puns on Atlas and leg­end and the com­pass points and all that.

    Also, it makes me think that the uncharted areas of a man’s soul, the parts mas­culin­ity knows noth­ing about, might very well be mon­strous in their very unde­fined nature.

    or some­thing.

    i’m actu­ally most con­cerned with the mid­dle chunk, i don’t think it is quite as strong. the Atlas line in par­tic­u­lar needs me again. i think.

  3. ah, i didn’t know maps actu­ally said that. in that case, great! i can see what you’re say­ing about the mid­dle part, but i have no con­struc­tive advice. per­haps it can be improved but i do think the whole thing is very good already.

    btw, i wrote some­thing sort of about maps ages ago, and your piece is at least 300% bet­ter.
    http://​www​.edlun​dart​.com/​p​o​e​m​.​p​h​p​?​p​o​e​m​_​i​d​=36

  4. you know… maybe the 1st line could be recon­sid­ered. it seems to me you start say­ing that a man is an old map, which is tak­ing the oppo­site view of the one you hold. yet, later in the poem, start­ing with “the half-​truth map,” you are argu­ing from the per­spec­tive of your view that being a man is more than what the map says. i’m con­fus­ing myself here, so i have no direct advice, but i’m think­ing you might be able to squeeze a tiny bit more clar­ity out of this by adjust­ing a word or two.

  5. […] • Break­ing Up is Hard To Do • Dervish • Haunted House [2nd ver­sion] • Smober the Sock Gob­lin • Cartography […]

  6. I won­der if I should add this quote to the beginning:

    “What is man? A mis­er­able lit­tle pile of secrets.“
    –Andre Malraux

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